The Sand Studio

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Onchain Summer is Here

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Exploring MyCoFi - Mycelial Design Patterns for Web3 and Beyond by Web3 Friends | Blurb Books

22,000 animated gifs - Google Drive

WebSynths Grooves : The internet beat box

Branding | Commence Studio

DIKO ━ Full-service Brand Agency

ContraBureau

Home | Cody DeFranco

Dragonfly ASCII

The NFT Glossary - by NFT Insight - NFT Insight

What Is an NFT? Non-Fungible Tokens Explained - nft now

Blockparty

Gallery | IAMSOUND × Zora

RACER TRASH

The Kilobyte’s Gambit ♟️💾 1k chess game

UltraSuperNew | Independent Creative Agency

Same Energy | Visual Search Engine

Photography from @kiddox 

Cody DeFranco | Clothing

Nifty Gateway: Collect Cryptoart

Art from Alex Grey

Work from Mike Szpot (@illkoncept)

Photography from Justin Aharoni

press play to pause your thoughts

Now Playing on Poolside FM: Touch Sensitive - Pizza Guy by future classic

FAILE

Orb.Farm

Anthony Rondinone

ZAJ on Spotify 

Blaze Brooks (@blazebenbrooks) • Instagram photos and videos

Good Newspaper

Silva's Quarantunes on Spotify

OLLIE CHANIN, NEW MUSIC

Paola M Franqui (@monaris_) • Instagram photos and videos

Dennis Elliott

Making a Living on Instagram with J.N. Silva and Dave Krugman | That Creative Life

Sony Alpha Podcast, Dave Krugman

A Journey through Cuba by Dave Krugman

Comic Gold: The Easterner Goes West in Three Early American Comics – The Public Domain Review

KILLER ACID

BEEPLE CRAP

Jake Wangner

Cait Kelly

Mad Dog Jones

Christopher Anry (@kryssalian) • Instagram photos and videos

Photography from Jose Silva

Linus and His Camera 

Henrique Alvim Corrêa’s Illustrations for The War of the Worlds (1906) – The Public Domain Review

Pascal Campion Art (@pascalcampionart) • Instagram photos and videos

Fantastic Fungi: A film by Louie Schwartzberg on Mycelial Connection

NEW YORK RHAPSODY - An Adorama Original Film

Zoomquilt 2

Brain Pickings – An inventory of the meaningful life.

Welcome To The New Sony Alpha Universe | Sony | Alpha Universe

Dave Krugman (@dave.krugman) • Instagram photos and videos

Home | Street Dreams Magazine

Photography from Dave Krugman

Dave Krugman - Photographer

Interview: Paul Reid

 Read Between The Lines: Nate HIll 

A Cryptoart Manifesto

The Liquid Night: Paintings by Greg Thielker

Rhythms of the Subconscious: Photon

Faith Love: SESSIONS

OONA: Look Touch Own

Iness Rychlik

Interview: YUYU 昱

Studios: Maria Kreyn

Interview: Michael Boegl

Bryan Minear

Swati Chakraborty

OUTRUNYOUTH

SKILUX

Rachael Pease

Highrises: Chris Hytha 

Feature: Alimo's 'Solitude Safari'

Interview: Cowboy Killer

Pat Dimitri: NOISE 

Trailblazing by Ben Skaar 

HIGHLIGHT: KILLER ACID 

Interview: Eva Eller

INTERVIEW: P1A

PAUL SEIBERT: SKY SCRAPER

ALLSHIPS ACCELERATOR 

SEANDSHOOTS: FORMS

SNUFFY: LOOKING IN 

Jason Norton: Before it's Gone

Michelle Viljoen: Hidden Stories

Interview: Brynn Alise

Matt Scobel: This is Not a Photograph

Jake Inez: Lost in Transit

New Horizons: Pellas Gallery, Curated by Ness Graphics

ALLSHIPS PRESENTS: HENBO x G LOVE on BLOCKPARTY

Interview: Jason Siegel - SHOOT PORTRAITS NOT PEOPLE

Interview: Karan4d

Interview: Postwook

Interview: Sean Mundy 

Interview: Declanrmc

NFT Talking Points, or How to Speak to a Skeptic 

Interview: GMUNK

Interview: raven50mm

Interview: Daniel Liang

Interview: Julie Pacino

Interview: Jasti 

Interview: Adamtastic and Fluffy Goodness

Interview: Bharat Krymo

Interview: Jesse Woolston 

DRIVE: A Photography Collection 

Collector Conversations: Batsoupyum

Interview: Raptographer 

Interview: SPAZECRAFT

Interview: SHL0MS

Interview: Sterling Crispin 

CELEBRATING PIXEL ART

Interview: IX Shells

Collector Conversations: Tom | think_flexible 

#nowcrediting: AIMOS drop on Blockparty 

Interview: BT

Interview: Jasky

Interview: Cath Simard

Collector Conversations: Cryptonio123

Interview: Ryan Koopmans 

Interview: Ness Graphics

Collector Conversations: Ronin The Collector 

Interview: Sarah Zucker

Interview: Chris Bjerre

Interview: Annibale Siconolfi, Inward

Interview: Noël Kalmus

Collector Conversations: OSFCollections

Interview: Oveck Reyes

Interview: Reuben Wu

Ecumenopolis: Sector 2, Venice 

Interview: Ben Mauro

Interview: Wesley Verhoeve

Interview: Gabriel Guerra Bianchini 

Podcast: Robbie Trevino 

Interview: Raphael Lacoste

Interview: TaylorCutFilms

Interview: Brendan North

Interview: MBSJQ

Interview: Nicole Ruggiero 

Interview: Dangiuz

Interview: Chewy Stoll 

Interview: Shavonne Wong

Interview: Elise Swopes 

Interview: Ellie Pritts

Interview: POLYGON

Interview: Weilard

Interview: TyeDied

Interview: Mark Inducil

Interview: Fesq

Daniel Arsham: TIME DILATION at Galerie Perrotin 

Interview: BakaArts

Connecting While Disconnected, Dane Isaac 

Interview: Amber Paredes

The Photography of Monaris

THE LOST COAST: Fletcher Berryman 

Interview: Piotr Szyhalski / Labor Camp

Can you start by introducing yourself to our readers? What’s your name, where are you based, and how would you describe the art you create? 

 and I'm based in Germany. My art focuses on futuristic, cyberpunk and sci-fi designs with with colorful and eye-catching concepts. But I am also not afraid to go into darker subjects and art styles.

EtherTales

So I see in your pinned tweet that one inspiration we share is Ghost in the Shell. My cousins showed that to me when I was just a kid and it changed my perspective forever. What about that film resonated with you and what other sorts of stories and mediums inform the visuals you create?

I think what caught my eye with GITS are the excessively intricate details and toned-down colour palette. The story is also complex and mature, they weren't afraid to go into dark topics either, in fact they encouraged deeper and darker themes. The dystopian factor always fascinated me because it's a very real and possible scenario that can happen in my lifetime.

I mostly get my ideas spontaneously and I write them down or draw little scribbles on whatever I have on hand, be it paper or my phone's note app. I also dive into sci-fi series a lot and I am very inspired by not just my vision but the visions of others.

Blue guy up 3

Dope. In terms of the technology you use to create this art- what’s the flow here generally? You do 2D and 3D very well, I’m wondering a bit about how those processes interact. 

I mostly use Cinema 4D for all the work that I do. Recently I have been enjoying Blender which offers many features that C4D doesn't, for free. In comparison to a while ago when I just used Photoshop, I ran into the issue of finding stock images to do photo manipulations with. Out of frustration, I took a year break to learn 3D exclusively. That was 3 years ago. I use a windows PC with powerful graphic cards to render my artwork to a final product and then do post-work in Photoshop.

Three up 1

Beautiful. I truly love the graphic style. What are your first impressions about what we are seeing in the 

pace? What are hopes for how it unfolds? What are you wary of? And have you seen success in minting your work on any of these platforms?

As a new person diving into the NFT space, I've noticed that the community is extremely welcoming and friendly. Big names collaborating with unnoticed artists, Clubhouse chats to teach people and spread the word. I have nothing but good to say so far. I hope it grows exponentially and becomes a safe haven for artists that are tired of being under-appreciated in the art world. Right now there isn't anything to worry about since everything is new, however it could happen that countries will impose some some of regulation over this space.

Three Space

my first drop will be on Friday February 12, on SuperRare

. It will be the first ever NFT Graphic Novel/ Short Story collection on the market, The Ethertales.

It will have an ever-evolving main story, accompanied by illustrations which each contain their own short story- set in the universe of Etherea. It will be completely decentralised and exclusive to the NFT space.

I am very excited and extremely terrified. I took 2 weeks sick off-work to make this happen, or better said, finish it. And on February 12, everything will unfold.

My goal is to inspire other writers and artists to make a more story-focused approach with their art in the NFT market. I think it would be amazing to see multiple worlds being created instead of just a one-off.

Two Up Bodies

Wow. What a great answer.. I’m stoked for this drop now!

Here's a link to the trailer, watch it to get a better idea of what's coming. 

So exciting to see how this concept unfolds, I think it’s brilliant. When did you discover your sense of creativity, and was it encouraged by others in your life or did you have to swim against a current of people telling you there’s no money in the arts?

I was never the smart kid in the class. I was always average and I hated school in general. I mostly just went for the people. I liked having friends around. I mostly kept to myself about my artistic side. I'm a reserved person so I only share when necessary. I always was the creative guy, loved doing dioramas, drawing (badly) and my futuristic art style was influenced by video games from a young age. Specifically The Matrix PS2 game. It opened a whole new world for me. I owe my career to Keanu <3. I'm not even joking. That shit changed me.

Ships

Any words of advice or encouragement you have for someone who is looking to dive deeper into their creative side?

Yes. Don't be afraid to experiment and see what type of artworks you enjoy making. If it doesn't work out with sci-fi photo manipulations, then maybe it will work out with 3D. Or maybe you have an affinity for props, masks, physical things. Who knew you are talented at woodworking? You never know unless you try. I'd just say to explore your options if you want to dive into the art world because in the end, you will find something that synergizes with you.

Excellent answer. Thank you so much for taking the time to speak with us, really looking forward to 

 to stay up to date on upcoming work and drops, and see his 

Perspective

@bakaarts

FACES

I am going to tell you something crazy. Except it’s not crazy. It makes perfect sense. It only sounds crazy because no one ever says it. I am going to say it now. Are you ready? Here it is…

All of it. Anywhere. Anytime. Completely. Illegal. Billboards. Pop ups. PR. On the train and on your phone. It should not exist. At all. Ever. Anywhere. I will say it again. ADVERTISING SHOULD BE ILLEGAL. If you disagree, as I am sure many of you do, first off, go to hell, second, before I begin, give me a single reason why it should exist. I’ll wait. Justify its existence for any purpose other than making more money for the already rich and powerful.

The truth is, there is none. Advertising does not help us, it hurts us, in many ways. It fills our shared public spaces with ugly images and messages to distract us, to bait us, to trick us into feeling dissatisfied and wanting more. And did anyone ever ask us, you, me, any of us, if we wanted to forfeit our space and our attention and ultimately our lives? Of course not, because we would have said fuck no.

To be very clear, advertising does not exist for us, it exists for owners of public space -- cities, real estate owners, and tech companies - to make money by selling that space to corporations who sell their products to us to in-turn buy more ad space, and so on. Owners of shared spaces and corporations benefit endlessly, and we, at no point, benefit at all. In fact, we are doubly fucked. First, we are sold, our eyes and ears and our minds, then we are sold products. In the end, we are the commodity.

What does it say about our elected officials and legislators that no one stops this insane, damaging cycle? Whose interests are they acting on behalf of? Even the most radical politician has never mentioned banning advertising. It’s unimaginable. Advertising is so pervasive, we cannot any longer conceive of a world without it. It is this loss of the notion of a world without ads that is the only justification for its existence. We’ve gotten used to it, basically, which is a horrible reason.

So, what would a world without ads look like? - open space, maybe, public art, or (gasp), nothing at all - and feel like, less distraction, less mental and physical clutter, a growing sense of satisfaction. 

Let’s say this world without advertising existed, as it should, then imagine someone suggesting covering all public and private space with images and taglines designed to manipulate you into purchasing goods and services you do not want or need. Would you think that sounded like a good idea? It would be universally deemed an absurd suggestion.

I am not saying the things we desire and want to pursue should not be available to us. If you want something, it should be available, and still would be. Don’t worry. I am not talking about regulating consumption. You can still get your face creams and blenders and branded tee shirts. You’ll still have stores you like and marketplaces you trust and favorite brands and all the shit you don’t need in bottomless quantities. But think of how much better it would be for consumers AND companies if there were no ads. Companies wouldn’t have to spend offensive amounts to compete. Products would have value because of their emotional or material quality, not because an agency was hired to come up with a brilliant campaign that taps into our individual and collective insecurity.

SOMETHING CRAZY